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Comment and tell all these courageous makers how amazing their work is!
Members: Pick THREE in each category. Voting link is at the bottom of the page when you're logged in.

Winners  ~  Runners-Up  ~  Finalists  ~ Extra Prizes!  ~  Beginner  ~  Improver  ~  Experienced  ~  All Entries

Neoclassical Beetle Sophia Khan     Neoclassical Beetle Sophia Khan    Neoclassical Beetle Sophia Khan    Neoclassical Beetle Sophia Khan    Neoclassical Beetle Sophia Khan



Neoclassical Beetle

Sophia Khan, Florida, USA


Yellow silk dyed by Athel Artistry Rosewood

Marquise parasol, ca 1845-55 was loaned by  Brandon Mckinney Parasol Restoration

Hair by Bonnie Belvedere

Photos by Bonnie Belvedere


The Design

The return to nature in post-Revolution French fashion immediately came to my mind when brainstorming for this competition. Although stays were still present in controlling the female figure, the sheer natural style of dress was incredibly different from what came before it. This style of dress was very short-lived, much like the Sternocera Aequisignata beetle that I used as embellishment.

I wanted to create something that was a little inspired by the form of beetles. When looking through the Neoclassical styles of the Directoire period (1795-1799), I found many beautiful colored fashion plates of white gowns with pops of color. I found two dates on my main inspirational fashion plate from Costume Parisian, one of 1799 and one of 1804. Although I cannot find the original source (darn you Pinterest) I am inclined to think it is the earlier date, comparing it to other fashion plates from that year.

From that jumping off point I decided to create a sleeveless spencer over a white cotton gown that mimicked the wings of a beetle. I looked at many different 19th century examples of beetle wing embellishment and jewelry. I decide to not use any jewelry, but instead create a laurel wreath inspired crown constructed of beetle wings. The hardness of the beetle wing embellishments contrasted nicely with the soft white gown. The spencer acts as the hard outer wing casings, or elytra, that cover the sheer hind wings used for flying. The sheer bobbinet also acts as a nice point of contrast to the pleated silk taffeta placed on top. The sleeves of the under gown are really what I felt tied the whole garment together.


The Construction

The pattern for the under gown was Franken-patterned from several Regency patterns from Janet Arnold’s "Patterns of Fashion 1" and the guides from the "American Duchess Guide to 18th Century Dressmaking" by Lauren Stowell and Abby Cox. I then used the bodice pattern from the under gown and altered the neckline to make the pattern for the sleeveless spencer. I draped the peplum on the form out of muslin to get the shape I was after, but once it was made out of silk I was not happy with the overall silhouette, so I had to remove it and re-cut the entire top line. The long stays were made from an altered pre-made pattern from Cynthia Settje of Redthreaded.

The sleeveless spencer or over bodice is made from a green silk taffeta shot with gold, lined with with natural unbleached linen and trimmed with hand dyed yellow silk. The under gown is made from a white light weight cotton organdy with English cotton bobbinet trim. Both pieces are trimmed with sternocera aequisignata beetle wings. The long stays are made of drab colored English coutil, with a wooden busk and German synthetic whale boning.

The sleeveless spencer was hand sewn together using the English stitch as its main joining seam. The neckline has channel for a thin cord to give the neckline a smooth fit. All the beetle wings are hand applied in clusters of three. If I could go back again I would not have had the beetle wings pre-drilled, as I found out I could sew right through them with a sharp needle. I filled the tips of all the wings to give them a more manicured smooth shape.

The under gown is made up of a four paneled skirt and a five paneled bodice with one part fitted sleeves. The bodice neck and waist also have have channels for a thin cord to keep them snug. I traced the sleeve pattern on to a larger piece of cotton organdy. I then placed them into a large hoop that fit almost the entire sleeve shape.

Once the sleeve was taut I draped the cotton bobbinet shoulder swags into place and secured with three beetle wings. The elbow trim was created by using thin strips of silk taffeta, with both edges pleated onto the bobbinet base in a scalloped pattern. I then basted the trim to the sleeve base and applied the straight strips of pleating. After all layers were attached, I carefully removed the sleeve fabric from underneath the trim. Once the sleeve was cut out I carefully joined the underarm seam to be hidden beneath the pleating and beetle wing to create a continuous line. 

The long stays are constructed from a single layer of coutil using external boning channels. The busk has an interior pocket. The bust line has a drawstring from under arm to center front. The back has hand sewn eyelets and a criss-cross lacing pattern.

More details can be found at my blog.


What was it like to compete this year? What would you say to someone who is on the fence about entering next year?

This is my first time competing, I was nervous about entering a historical entry instead of a corsetry entry. I would say to someone new that they should just go for it! It was a very fun learning experience.

Your lovely outfit is totally charming and feminine! To see something so "out of the box" is delightful! Enjoy being different... it suits you!
I really like your laurel of beetle wings and the and the placement of the wings on that yellow trim
The little tucks on the sleeves tho! Understated luxury (and the envy of all at the pumprooms in Bath)
Really elegant, I love the colour and fabric choices, and the beetle wings are beautifully placed. Those sleeve swags are lovely!
Such beautiful details. I love the arms!
*arms tongue
Very well accomplished. This is an era I haven't investigated yet so I find your design intriguing. Love your regency stays - the gathered bust section is so flattering!
I really like the fresh colours you have chosen for your project and the details and ebroidery are lovely too!
Yay for historical costume, such careful research and such beautiful hand sewing! I'm so glad to see a historical entry or two. Jema's right, you would be the envy of all if you took this to Bath! Well done Sophia!
The decorations on the sleeves is so beautiful! It's a wonderful look, you should be proud!
Lovely costume work and a lovely foundation to build the dress on too. Very elegant.
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