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Alison Kannon demystifies the construction and recreation of “bodies”, the stiffened supportive layer of clothing that later came to be called a corset or stays.
Hallie Larkin provides the pattern and sizing instructions, and walks us through period-accurate construction and replication of these authentic stays.
There have always been pregnant women, and women nursing, but what they wore during these times is harder to know. Amanda investigates and makes her own.
Andrea guides us through the mockup of the Mina Sebille’s Patent US39964 which is a basic corset pattern comprised of only five pieces per side.
Carly recreates an 1868 corset patent for her own unique body type, using Laura Loft's Silverado corset instructions. 1: drafting and first mock-up.
Photos, details and a pattern for an 1869 American skeleton corset. It has no fabric between the boning channels, just a few horizontal tapes to hold the bone casings together.
In this second instalment, Clare will take us through the process of making the final corset and the lessons she learned from this project.
Marsh claims leather is more durable in the hard wearing areas of a corset. Christina tests his theory on this C19th patent - is he right?
Christina takes us through a mockup of this patent, in which Marsh claims two “improvements” to corsets, discussing her observations.
Clare takes on the FR patent challenge to breathe life into this deceivingly simple 1878 corset, beginning with the toile.
Katie-Louise guides us through the completion of this beautiful Victorian corset and discusses the changes she would make to the pattern if she made it again.
Katie-Louise guides us through the interpretation of this style, through fitting all the way to making a toile of this beautiful Victorian corset.
Jennifer walks us through this beautiful corset-waist, a light duty corset meant to still give support but to allow greater movement and flexibility.
In part two of her series, Kat discusses the pattern text, pre-construction and construction of this beautiful corset.
Emily tackles this corset patent which attempts to avoid gores at the breast whilst still achieving 'a perfect fit upon the person'.
In part one of her series, Kat discusses a Victorian patent, designed to create graceful Grecian curves, the pattern and how it was made.
Hannah uses information gained from her first article about this late C19th pattern to construct and finish a beautiful corset using silk organza, coutil and steel.
Sandra explores a high-panel C19th corset with multiple vertical seams, giving corsetmakers plenty of areas to make adjustments.
Hannah gets us started with this beautiful late 19th century corset and tests the patent's claim to provide ‘best possible shape with greatest comfort’.
Izabela works through the entire process of creating this unusual C19th corset from just an online explanation of the patent to a fully-developed undergarment!