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You fix a bustline problem, but then fixing the waist makes the bustline look wrong again... here's a technique for fitting corsets right first time.
Wendy puts her earlier research on transitional Regency stays into practice and reproduces a set of stays for herself, walking us through the fitting stages.
Alison Kannon demystifies the construction and recreation of “bodies”, the stiffened supportive layer of clothing that later came to be called a corset or stays.
Sandra Stuart tackles re-creating a gusseted and gored corset using an 1878 patent diagram, from pattern enlargement to construction and fitting.
Andrea makes a second mockup in her size, and shows how spiral boning and plastic boning behave in this complex corset design.
When I first looked at the patent for this 1882 Strauss corset I was incredibly intimidated. It has 26 pieces, 13 each side, and only six are just fabric...
What do you do when it's not going well at all? Breanna proves that a not-so-promising mock-up CAN be turned around and saved.
Exploring the new fashion for free movement c.1900, then drafting and fitting an "Athletic Corset" with a stretch panel.
Jenni shows off her final Hearts corset and draws some conclusions. She includes some details on fitting and adapting corsets for asymmetrical bodies.
Jenni alters the antique "Hearts" corset pattern to emulate the archetypal “Edwardian” posture on a modern body, and weighs up the effect on comfort.
Last month a very decisive 73% of you wanted to see the pattern re-worked twice for the model. This month, we will focus on the first version, as it came off the pattern block.
Jennifer shows you how to alter the pattern from last month, then sew the corset step by step, using the same vintage techniques as in the original.
Marta breaks with tradition from her usual leather corsetry to make a beautiful corded corset and discuss some pattern modifications therein.
Corset patterns always seem to be too small or too big at the bust. Here's a deceptively easy fix - a method that works even for large changes.
Amber compares the effect of different construction methods and materials on the same body, with ideas on applying this to clients.
Lumbar hyper lordosis, alias 'sway back', creates a special challenge when drafting a corset. Amber shares her expertise and experience.
Inspired by the gilded form seen in many a Sparklewren photograph, Anya has another go at making a display form - with sparkle!
Anya continues her dressform journey by documenting her own process of making a body cast for accurate fittings.
The first of a series in which Anya will summarise her mannequin quest to assist in creating your own dress form or display mannequin.
Marianne discusses different body types and how to go about creating custom corsets to fit these various forms, from a business perspective.